By Henry G. Hartman
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Extra resources for Aesthetics: A Critical Theory of Art
2 in truth, 2 Should the reader have less interest in the critical examina tion of existing theories than in the constructive aspects of own theory, he may omit Chapters IV and and pass on to V Chapters VI, VII, and VIII. my CHAPTER The Substance IV of Art I In the previous chapter art should be conceived I ventured the statement that and designated in the plural as an achieved excellence in the existence of fic substance; and I some speci characterized this substance as material, technical, conventional, and phychological.
Invention, therefore, becomes a striking characteristic As such, invention of art. in art, abstraction; it as it it may be logically abstracted; but may not relevantly interest in its may relevantly interest only when and some new pictorial or musical more peculiar thing of an art is to be expressed in is result, since the its own special material this material, invention would sought in the development of and aims. Apart from have no scope for this we center attention specific expression; and, when upon the psychological rather than upon the artistic aspect of its concrete expression, we abandon an Yet it is of necessity that is an interest interest in art for this psychological interest placed to the forefront in both of the extracts; in psychology.
Things. rocal, The hedonist, in his explanation of art, presents the most complete divorce between object and agent. Objects as such, in their mutual differences and rela he does not see at all; and, of the complex psychophysical agent, he perceives nothing but pleasure tions, and pain. Knight, in his Philosophy of the Beautiful, refers to "that theory which lies very near the * * * To lowest rung of the ladder on this subject. " Hedonism, upon its own merits, may not seem to But it has justify much respect as a theory of art.
Aesthetics: A Critical Theory of Art by Henry G. Hartman